Press
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“Thanks to the commanding vocal and theatrical presence of Carmen Voskuhl, ... El Alma might seem a welcome exotic presence in an otherwise straightforward period production” -Mark Swed, Los Angeles TImes
Review: First a Netflix series, now an opera, ‘Juana.’ Why the story of a 17th century nun sings
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"Each scene is punctuated by an appearance from “El Alma,” sung by a precise and radiant Carmen Voskuhl." -Eric A. Gordon, People's World
‘Juana’: The feminist, nun, scholar, thinker, poet—and now an opera
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"El Alma (Carmen Voskuhl) is a ghostly apparition clad in sparkling dress and feathery headdresses, originally written for a sexually ambiguous countertenor but in this performance sung by a tall, thin mezzo soprano, quoting from Plato’s Symposium about the three genders and desire" -John Henry Martin, Napa Valley Register
Review: 'Juana' a ground-breaking tale from a Napa woman, plays at UCLA